Glory to His Name - Lyrics

1 Down at the cross where my Savior died,
Down where for cleansing from sin I cried,
There to my heart was the blood applied;
Glory to his name!

Refrain:
Glory to his name,
Glory to his name;
There to my heart was the blood applied;
Glory to his name!

2 I am so wondrously saved from sin,
Jesus so sweetly abides within;
There at the cross where he took me in;
Glory to his name!

3 Oh, precious fountain that saves from sin,
I am so glad I have entered in;
There Jesus saves me and keeps me clean;
Glory to his name!

4 Come to this fountain so rich and sweet,
Cast thy poor soul at the Savior’s feet;
Plunge in today, and be made complete;
Glory to his name!

"Glory to His Name" is a joyful gospel hymn that celebrates the saving power of Jesus Christ and the personal transformation found at the foot of the cross. Its warm melody and simple, heartfelt lyrics have made it a favorite in revivals, baptisms, and personal devotion.

Hymn Writer : Elisha A. Hoffman (1839–1929)

Elisha Albright Hoffman was born in Pennsylvania into a devout Christian family. His father was a minister, and from an early age, Hoffman was immersed in the Scriptures and gospel music. Though he received formal musical training, much of his hymn writing flowed from personal devotion and his work as a pastor among everyday people.

He served in various pastoral roles across Ohio and Illinois, ministering to coal miners, farmers, and factory workers. Hoffman believed that hymns should speak plainly and directly, expressing the heart’s response to God. His songs often used common language and focused on the themes of salvation, assurance, and the daily walk with Christ.

One of his trademarks was writing both the lyrics and the tune, as he did with “Glory to His Name.” He also compiled several hymnals used in revival meetings and Sunday Schools.

Among his most enduring songs are:

• “Leaning on the Everlasting Arms” (co-written with Anthony Showalter)

• “Are You Washed in the Blood?”

• “I Must Tell Jesus”

• “Is Your All on the Altar?”

Hoffman’s hymns were not written for the stage or concert hall—they were meant for the pew, the living room, and the revival tent. His legacy is found in the countless people who, through his music, found words to express faith, repentance, and joy in Christ.