'Tis for you, 'tis for me;
Blessed rest at Jesus' feet,
'Tis for you and me.
Chorus:
All for you, if you believe,
If salvation you'll receive;
There's a welcome, warm and true,
All for you, all for me.
2. There's a help for ev'ry day,
'Tis for you, 'tis for me;
Joy and blessing by the way,
'Tis for you and me. [Chorus]
3. There's a robe of snowy white
'Tis for you, 'tis for me;
There's a home of glory bright,
'Tis for you and me. [Chorus]
The hymn "’Tis for You and Me" was written by Eliza Edmunds Hewitt (also known by her pen name, Lidie H. Edmunds), a prolific American hymn writer and Sunday school teacher. Born in Philadelphia on June 28, 1851, Hewitt faced a significant health challenge early in life—a spinal condition that curtailed her teaching career. Despite this setback, she remained deeply involved in her church and Sunday school activities, and began composing hymns and poems to inspire and educate children in the faith .
The hymn's lyrics emphasize the universal availability of God's grace and salvation. The first stanza declares:
"There's a pardon full and sweet,
'Tis for you, 'tis for me;
Blessed rest at Jesus' feet,
'Tis for you and me.
The chorus reinforces this message, inviting all to believe and receive salvation
"All for you, if you believe,
If salvation you'll receive;
There's a welcome, warm and true,
All for you, all for me.
Hewitt's hymn is characterized by its simple, direct language and its emphasis on the inclusivity of God's love. The refrain underscores the personal invitation extended to each individual, reflecting Hewitt's deep commitment to sharing the message of God's grace with others.
The music for "’Tis for You and Me" was composed by William J. Excell, a well-known composer of gospel hymns during the late 19th and early 20th centuries. The hymn has been included in numerous hymnals and continues to be sung in various Christian settings, particularly in Sunday schools and worship services that emphasize the accessibility of God's love to all.
Hewitt's legacy as a hymn writer is marked by her dedication to creating songs that are both doctrinally sound and accessible to young audiences. Her works continue to be appreciated for their clarity, warmth, and theological depth.
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